Cast: Garret Dillahunt, Sara Paxton, Monica Potter, Tony Goldwyn
Synopsis: When the recently crumbled and bought-over movie studio New Line ended up cold and alone and without a hope for a future, Hollywood decided to ambush it in the woods! First they turned to something they owned but didn't create - Friday the 13th. They took Jason and they destroyed him utterly. Then they turned their sites on destroying one of New Line's shining stars, Wes Craven's babies - The Last House On The Left. They took The Last House On The Left and savagely raped it repeatadly in the woods and told it to fondle A Nightmare On Elm Street's breasts and piss it's pants. It promptly did so and once it was at it's lowest point, Hollywood remade Last House On The Left and turned it into a pile of excrement...
In it's dying breath, Last House On The Left fell to the ground, clawing at the dirt and croakily screamed to Nightmare On Elm Street - "Run! Don't... let... them... remake... you... too!".
And with that - The Last House On the Left was destroyed...
Review: I don't know why we feel compelled to go to the cinema to see movies like this when there were perfectly good movies like... well, I guess Watchmen is the best one out just now but hell, I bet Miss March would be in many ways a superior film to this.
It wasn't a bad film really but you have to remember that it's basically starting from a very low point given that it's a god-damned unnecessary remake (again!) so that automatically sets it at a negative score right now...
It wasn't nearly (even remotely close) as gritty and almost snuff-like as the original but that was to be expected... perhaps though it was expected too much by some members of the audience who seemed to be appalled when the rape sequence began. I mean, did they think it was just going to be left out altogether? Perhaps they were (more likely) too young to have even seen the original and have parents too dumb to realize they shouldn't even be seeing a watered down remake of Last House On the Left.
Anyway, the rape scene began and so many people left the theater that it made me want to spin round in circles and laugh! My wife pointed out all the "evacuees"; but I surmised eventually that they probably just had to pee or get snacks and chose the awkward scene to do it in.
But then out of the ten or thereabouts that left only a couple seemed to return to the theater...
I guess people generally don't want to sit and watch a girl get forcibly fucked in the ass.
At least not in a room full of strangers anyway, that's awkward!
The film has promise but falls way short of being either as gritty as the original or able to be a mainstream "re-imagining" and popularized version of the it. Instead it is some sort of middle ground for lazy people who can't be bothered to locate a copy of the original.
There's too much cutting between "shaky-cam" and regular camera work too and the shaky-cam is extremely forced, you can tell someone's trying to make it seem cheap and nasty but failing, since you can tell they're trying.
In Short: A decent enough, watchable film but a few too many attempts at arty shots and close ups of girls panties - done in a way that makes you feel like the director thought that's all you had to do to make a film dirty and raw.
Biggest Positive: It stayed fairly true to the original film, a lot more than it could have and a lot more than many remakes do.
Biggest Negative: The original wasn't that good to begin with so they were pretty much fucked from the get-go.
Trivia: In order to fully experience this film in the best possible way pick up a pair of the super-special dark 3D glasses on the way in and put them on right away so no-one can tell you're taking a nap!