Showing posts with label foreign language. Show all posts
Showing posts with label foreign language. Show all posts

Tuesday, September 22, 2009

House By The Cemetery


Cast: Catriona McColl, Paolo Malco, Giovanni Frezza, Ania Pieroni's amazing caterpillar eyebrows.


Synopsis: A New York couple move into a house in New England which is, as one might guess, not next to a cemetery at all... what? Well a cemetery at least plays a role in the film but I fail to see why this film wasn't called "House With A Cemetery Within Walking Distance". Whatever. Killings ensue blah blah.


Review: While it's true that the acting is pretty awful, the unnecessary close ups of people's eyes are pointless at worst and shaky at best and the child in the film is so obnoxious that you're wishing death upon him as soon as you see his smug little albino-looking chops enter the screen, if you're looking for a film with the longest, most drawn out, gory, bat killing sequence in cinema history then look no further than The House By The Cemetery!


In Short:
This movie was directed by Lucio Fulci which means it's both great and awful at the same time. The plot is wafer thin but the gore is fairly abundant.


Biggest Positive: The gore, quite clearly was the most redeeming feature of this film...


Biggest Negative: Everything that wasn't gory.


Trivia: This film was shot in less than two minutes and in five different languages.

A Review of House By The Cemetery by someone who possibly gives a flying fuck about actually reviewing things properly

Wednesday, May 6, 2009

Who Can Kill A Child?


Cast: Lewis Fiander, Prunella Ransome, Bunch Of Annoying Spanish Brats

Synopsis: An English couple decides to take their vacation on a remote island which has no contact to the mainland and with no idea who lives there, where they'll stay or why on Earth they don't just find a quiet village on the mainland like any other normal vacationing couple only to find that the island is all but deserted save for the occasional snotty little vicious kids, a bunch of corpses and a creepy looking Spanish dude rocking an awesome 'tache.


Review: The idea of the film is simple: A group of kids on an isolated island decided for reasons unknown to up and kill all the adults and take the island as their own. The adults could have easily overpowered the children but didn't because... (dun dun DUN!)... who can kill a child? A nice premise and one that surely could be thought provoking and deep in a "let's discuss it over a few pints while we all get shit faced and laugh about the piss poor special effects" kind of way if the film hadn't begun with about ten minutes of lengthy tedious intro voice-over telling us that there have been hundreds of instances during man's inhumanity to man (Wars, famine etc etc.) where the kids, either inadvertently or deliberately, are the first and the most plentiful to be killed. So the film basically shot itself in the ass from the get go on that one

Who can kill a child?

All these people can and did

Oh...

The end!

Instead we follow a couple of fairly obnoxious English people as they trek through the island contemplating their own failed existence and wondering when the silly bitch is going to realize that she should just let her husband brandish the biggest Gatling gun available and plow through the hordes of snotty pre-teens like it was a ridiculous 'Nam movie shot by Michael Bay.

I think this movie had some real potential - it could have had the creepy kid element, it could have been a real gut-wrnecher as far as the kid killing was concerned and it had the isolation down but I feel overall the movie fell way short of it's potential...


In Short: Worth a watch? Sure, but don't get excited just because it got an X rating in Britain and was banned in Finland. I dunno what that means, for all I know Bambi is banned in Finland...


Biggest Positive: The realistic language barrier. You half expect the main guy to just start yelling at the "crazy foreigners" when they start to struggle with words... wait, that's my biggest positive? That sucks... oh well


Biggest Negative: It's hard to watch without thinking how much creepier, scarier, gorier, better it could have been no matter how much you enjoy it...


IMDb Page


Trivia: The spanish word for A-Bomb is "bomba atómica"


Sunday, December 28, 2008

Saturday, July 19, 2008

War Of The Robots

War of the Robots is a touching tale of how power corrupts, virtue and honor triumph over evil, true love prevails and in the future everything will look terribly unrealistic and everyone will wear one piece jump suits for no reason.

Since this film was made in 1978 I'm going to make sure I don't dwell on poor quality special effects, since it was most likely beyond the filmmakers capabilities to do better, and instead I'll focus on the shit acting, poor script and abysmally vomit-inducing camera work.
Actually fuck it, I couldn't help but get caught up in the shit effects. They used the exact same (shitty) shot of a (shitty) model floating around in (shitty looking unrealistic) space about 500 times.
Did they only have the budget to fling the model through their shit space-colored backdrop once?
Couldn't they have done it a few times and shot it from different angles to change things up a little bit?
Would it have been too much to ask for them to just not show the ship at all?

Anyway... I guess the special effects aren't what makes a movie truly bad... what does that is a ridiculous plot that doesn't make any sense.

Basically what happens is a ship full of, what must be the deep-space future version of, electrical repairmen is sent off to get a satellite up and running again but when they get there the creepy (evil) scientist who was living there has inexplicably been kidnapped by Nazis from space.
Rather than just forget about it and go home, this hapless bunch of repairmen set about to try and rescue him only to find themselves confronted by a planet full of the space Nazis.

Science Fiction shenanigans ensue.

Science Fiction writers ought to be about a million times more careful with their stories than any other kind of writer because I, for one, and I'm sure I'm not the only one, can't help but pick through any and all flaws that the film may contain...
Yes, there are the usual dumb ideas that somehow mans advancement will lead him to believe that laser guns will somehow be more effective and commonly used than regular projectile weapons and the misconception that somewhere along man's evolution he will lose sense of fashion altogether so that everyone in the known galaxy is wearing exactly the same outfit. Usually overly laden with needless shoulder pads, turtle necked tops and sparkly bits. And let's not forget the military issue low-cut model for the better looking among the female crew members.
Obviously.

No, what I couldn't get past in this film were the following disastrous points.

Directions - They kept using the directions North, South, East and West in space. Surely even someone with the most basic of knowledge of... well, anything, would be able to realize with just a minor amount of thought that these directions pertain to relative directions on Earth! (Or presumably any other planet) But in the reaches of deep space saying "The enemy is 1000 miles North of us commander." is about as useful as a condom dispenser in a nunnery.

Lasers - lasers will not become weapons in the future. Maybe in space battles they'd become useful, but even still doubtful. This is a point that bugs me in any sci-fi movies though, of course but in this movie the thoughts were exasperated when one hapless character was trying to man the laser guns from the ship (This hapless character, by the way, has lived in a cave with no light or any signs of civilisation up until the moment about 15 minutes prior that he was picked up by the ship, so why they were having him man the weapons was completely beyond me.) but was having no luck hitting anything. "I'm fed up!" he declared like a 10 year old brat, somehow forgetting he's in the middle of an epic space battle, and was told by the head honcho guy to "Aim a little in front of your target and you'll do better!". Wise advice if you're firing a fucking regular gun but, surprise, lasers travel at light speed, I dunno if you know how fast that is but it's pretty fucking amazingly so-fast-you-don't-need-worry-unless-your-a-gazillion-million-trillion-miles-from-your-target fast. What? If you're going to use lasers as weapons in your shitty sci-fi film, at least check into what a laser is and how it might function.

Gravity - a quick Gravity lesson. The bigger something is, the more gravity it has. If we step on any surface that's a lot larger or smaller than the Earth we're likely to notice the effects of this by either being crushed into a puddle or floating away as soon as we try and leap out of our space craft. But no, somehow even when on an insignificant asteroid (Which somehow sustains a small population of freaks) everything is just tickity-boo. No problems breathing or remaining on the ground. Amazing!

Texan Accent Guy - There was this one guy who was declared as coming from Texas in the film. I have no idea why, because it was never a plot point of any kind. He didn't save the day by rounding up cattle or successfully landing them in his ranch that he knew like the back of his hand. He didn't even have any sort of Texan sensibilities. Whatever they might be. So you may think that it was only brought up to explain some poor actors uncontroloably strong Texas accent! That would make sense! But no! The actor was so unbelievably not from Texas that they would have been better suited asking me to play the part and telling me just say "shucks" and "y'all" a lot.

Space Fights - space fights are lame unless you really have a budget to make them awesome. In 1978 the only person capable of that was George Lucas. Notice that in any of the Star Trek movies the space fights are largely subdued and boring? I did, and fuck all y'all that disagree. But, if you must have a space fight at the very very least what you could do when the good guys ship is hit and you have to do that "Shaking the camera while everyone flails around pretending the ship is shaking" thing, at the very very least you could make sure that everyone flails in the same direction. Otherwise it's like... what the fuck is happening here? Is the ship being shaken in all directions at once? Is this some weird space-time anomaly that makes gravity and the pulls of space act differently on each individual? No, it's a director who didn't think before he picked a camera and said "Sci Fi! That's the genre for me!".

Robots - Hey, if you're going to make an army of killer Aryan robots, why not make them good enough to be able to face a group of about 7 people armed with flashlights without being slaughtered by the hundred?

I dunno why we were meant to be surprised when it turned out the weird Nazis who spoke monotonously, all looked pretty much the same and were dressed in aluminum foil were robots! I mean the movie's called war of the robots, and they were the only ones doing any fighting... perhaps the movie had a different title initially and the studios came down and made them change it. Maybe it was called "Attack Of The Shitty Script" or "Stuff Happening In Space You Couldn't Give A Flying Fuck About".

Fuck me, this review is long.

Friday, June 20, 2008

Frontiere(s)

I may have gotten the title to this film wrong, it may be Frontier, The Frontier, The Frontiers, Frontiers, Frontier(s) or The Frontier(s), or it may be all of those combined, I really have no idea.

Anyhow, in (this film) a bunch of rebel crazy anarchist French teenagers go on the run from the Paris police in a recently-turned-crazy-right-wing France only to find themselves right in the middle of The Texas Chainsaw Massacre nowhere surrounded by Neo Nazis, who in actual fact aren't very "Neo" given that the father of the inbred crazies seems to have been around since the first Reich.

As is inevitable in these situations the teenagers try and fight their way out but are shockingly slaughtered, hung upside down and gutted one by one because (duh!) they're a bunch of teenagers and they're trying to take on fully trained inbred super-race type Neo Nazi crazy motherfuckers.

That is until, our leading lady gets a nice short haircut which, of course, turns any self respecting lady into a bad-ass Nazi killing machine! Suddenly the bullets fly, the (non-Aryan) blood flies and it's as if Rambo just showed up to take care of business...

Then she does a jittery "I'm a crazy person" walk right at the end and you suddenly realize the whole film was really a comedy and you just didn't get it.

For serious, watch it yourself to find out!

Wednesday, April 16, 2008

Ichi The Killer

There is something remarkably weird about this film!
I'm not talking about the content, in fact I cannot for reasons about to be disclosed.
No, I'm talking about the fact that I've tried to watch it several times and every time, 30 minutes in, I inexplicably slip out of consciousness... bizarre!
No matter how many times I've tried, I always wake up 2 or 3 hours later drowsily awakened by the DVD title music once again... it's uncanny. The film is far from boring, so it's not like I'm trying to sit through a Michael Bay marathon and dozing off, and I find myself fairly captivated by the story so my only guess is the film-makers put in some sort of subliminal tone in the soundtrack that has a frequency that affects only certain minds (if it affected everyone then no-one would have ever seen Ichi The Killer, and we would have some sort of a world-wide bizarre-o phenomenon going on!) and sends them off into a deep unconscious state (otherwise known as "sleep"!).

It's truly bizarre and I have no explanation for it!

Oh yeah, did I mention that every time I wake up there are gallons of blood splattered everywhere and a mountain of bodies mysteriously appears in my basement?

How queer!

Wednesday, March 12, 2008

Thursday, September 13, 2007

Snake People

If you haven't seen Snake People then you haven't lived!

There's a line in the remake of the Hills Have Eyes (sorry to keep harping on about that film, but whatever!) that goes something like: "I think Freud would have a few things to say about your fascination with snakes!", and there's a good 20 minutes of continuous footage and about an hours worth of overall footage in this film that really makes you think the same thing about the director of this film... it's hardly implied either... at first there's a woman in her bed and some deranged midget voodoo guy comes in brandishing a snake and an idiotic grin, his assistant with the dumb hair removes the woman's top, and presumably all her clothes.
The midgets at the foot of her bed with the snake, then we cut to the woman's face and... is she making "that" kind of face?... surely not!
At this point you think, well... that was implied and harmless. In fact you almost curse the director for not having the balls to imply it a little more, and at least turn this film into a really grizzly film that's difficult to watch...
But then we're whisked away into some dream world where the woman wakes up to find her evil twin is there brandishing (and stroking) an enormous snake, as she clutches it towards her face like... well... you know

The woman is horrified by this and makes a run for it only to be encountered by her evil twin, only this time she's holding the snakes head in her mouth... uhh... awkward?

Then she has it tied around her waist and is holding out it's head like...well... you know

There's still no nudity though! So... well done on managing to make a long drawn out porn sequence without actually showing anything at all, I guess?

I'm supposing that this sequence was some sort of arty way of reflecting the innocent character's inner turmoil as she struggles with her own deep seeded desires and urges, will she continue to run from the penis, I mean snake, or embrace it?
And by embrace it I mean start making out with her own evil twin?!

What?

Seriously, then we see the main character (who I swear sounded Spanish right up until the last 5 minutes when he became French, but there was some plot going on that might have implied he had to pretend to be French... even though everyone on the island knew him... uh...) and he's just waking up to find what else but a snake in his bed and all the while you're thinking "Is this going to turn into homo-erotic snake non-porn???" as he looks fearful at this snake that keeps manifesting itself... but before the guy has any disturbing dream sequences the director shows his closet homophobic nature by whisking us away to a scene where a zombie lady is seducing a man at the bar...

Oh yeah! This film was about zombies, what was all that snake nonsense then, Mr Director?

And who told him that he should even try and make zombies hot? It's a well established fact that one of the key things about zombies is that they are never ever hot. No matter how Return Of The Living Dead tries to spin it.



Worth noting: there were only a few moments where I could really tell this film was poorly dubbed, so... well done there

Friday, June 1, 2007

El Laberinto Del Fauno/Pan's Labyrinth

Two of these facts are false, see if you can guess which ones!

Pan's Labyrinth is entirely in Spanish.
Pan's Labyrinth features a Faun.
Pan's Labyrinth has fascists.
Pan's Labyrinth features Guerrilla warfare.
Pan's Labyrinth created the International House of Pancakes as a replacement for the League of Nations.
Pan's Labyrinth features some torture scenes that shit all over Eli Roth's Hostel.
Pan's Labyrinth includes one scene where someone gets their face beaten in with a bottle.
Pan's Labyrinth has the coolest walking death scene I ever saw.
Pan's Labyrinth features a freaky thing with long fingernails that reminds me of Voldo from Soul Caliber.
Pan's Labyrinth has no problem with removing the last chip from a Pringles can.
Pan's Labyrinth reminded me of Vandal Hearts, though I'm not sure why.
Pan's Labyrinth is the best movie I saw yesterday.





Official Pan's Labyrinth Site